Paper Collective visited the 1930's bungalow of interior designer and stylist Louise Kaas and her young family. We spoke to Louise about taking a slow and considered approach to renovations, and how she incorporates material and texture into her work with Studio Kaas Interiors.
Paper Collective:
Hi Louise, thank you for inviting Paper Collective into your home. Can you tell me a little bit about yourself and your work with styling and interior design?
Louise Kaas:
Yes! I live with my husband and two little girls in Copenhagen in a small, cozy house that we renovated three years ago. During that process, I realised that despite having a master's degree in communication and working in the design industry, interior design was what I truly wanted to spend my time on. I had always dreamed of starting my own business. So, during my last maternity leave, I started studying to become an interior architect and, at the same time, launched my company, Studio Kaas Interior. Through this, I offer interior consulting for private homes and commercial projects. Additionally, I assist with larger styling projects as part of an amazing team working for various brands.
PC:
Can you tell me about your home, your area of Copenhagen and what you have done with the renovation of your space?
Louise:
Our home is a functionalist-style bungalow from around 1930 that was clad in wood (before our time). It’s located just 15 minutes by bike from the Nørrebro/Frederiksberg area in Copenhagen. When we bought the house, we had to consider its potential carefully—how it could be transformed. From day one, it was important to us that the renovation suited the house and focused on quality materials. That’s why we chose to renovate in stages, ensuring that we create a home we truly love, one that will last for many, many years.
My latest project in the house has been to create a warm and inviting living room. For example, we built a shelf using leftover planks from the flooring, which feels like a "full-circle" moment.
Even though we have done a lot of renovations, there are still so many dreams and what feels like an endless number of projects we want to tackle. Sometimes, I forget that we've "only" lived here for three years and have almost a lifetime to complete all our plans.
PC:
What is your approach when it comes to colour and texture within your projects and interiors?
Louise:
When I assist my clients with various projects, my approach varies depending on their needs. Some clients seek advice on furniture placement to optimise space, while others want my input on a renovation or small details that can create a cohesive design.
When it comes to colors and textures, I usually start with what my clients already have. I identify connections between existing textures and colors, then suggest small changes that can enhance harmony. If I'm creating a design plan from scratch, I base it on the client’s style preferences and their vision for the space. My role is to help people achieve the home they truly dream of.
My personal style is often secondary—but my superpower is seeing connections and having extensive knowledge, regardless of "style" or lack thereof.
PC:
Within your home you have chosen some artworks from our latest collection. What did you want these artworks to add to your space, as far as scale, colour and texture?
Louise:
In the living room, I wanted to add artwork on a larger scale. Since we don’t have very high ceilings, a bigger piece helps create a sense of volume.
I prefer using muted colours—though I consider myself quite minimalist when it comes to colour. That’s why I chose artworks with subtle tones; they soften the space and add warmth without overwhelming it. I like art that is abstract and not too predictable for the eye, as it often adds an edge and draws people in subconsciously.
I also considered the overall colour palette of our home—but I can get a bit nerdy about that! ;-)
PC:
Do you have any advice for people in our community who might be facing a renovation of their own?
Louise:
Whether you plan to do a lot of the work yourself or hire professionals, the key is having a well-thought-out plan and a clear overview from the start. This helps avoid rushed, poorly considered decisions. You’ll be much happier with a result where the details have been carefully planned—and it will also save you money and time.
For example, if you have already chosen the materials and design for your project, but then suddenly decide on a different countertop, the entire look can change. That’s why having a solid plan and "mood board" from the beginning is so valuable.
Of course, you can always call me, and I’d be happy to help with the planning! ;-)
PC:
What projects are you working on in 2025?
Louise:
I already have many exciting projects lined up for 2025. I will be completing a large commercial project in Nordvest, working on several interior design projects for private clients, and I’m booked for assisting in styling projects at 3 Days Of Design. Additionally, I am expanding into a new branch of my business that will focus more on textiles—I’m really looking forward to sharing much more about this on social media.