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  5. Sphinx - Acoustic Panel
Sphinx - Acoustic Panel - 25096-25097-25098-25099-25100-Sphinx_Stacey-Rees_8e5aa5d5-b97a-4d39-81ab-483f2f60cf86

Sphinx - Acoustic Panel

By Stacey Rees

Australian artist Stacey Rees balances the figurative and the abstract with her first collection of six art prints for Paper Collective. Resembling the Egyptian monument, Sphinx combines bold abstracted forms in vibrant orange, blue and neutral tones of grey that stand against a cooling green background. Kneeling from a position of strength, simple facial features add a note of identification to the composition.

All acoustic panels comes with a solid oak frame included.

Frame size: 20 mm wide x 50 mm deep

Information on quality, recycling and sorting

Information on quality, recycling and sorting
Sphinx - Acoustic Panel - 25096-25097-25098-25099-25100-Sphinx_Stacey-Rees_45ab8ad7-3b16-4877-a4bc-362870840fdb
Sphinx
Sphinx
Sphinx
Sphinx

Sphinx - Acoustic Panel

By Stacey Rees

Australian artist Stacey Rees balances the figurative and the abstract with her first collection of six art prints for Paper Collective. Resembling the Egyptian monument, Sphinx combines bold abstracted forms in vibrant orange, blue and neutral tones of grey that stand against a cooling green background. Kneeling from a position of strength, simple facial features add a note of identification to the composition.

All acoustic panels comes with a solid oak frame included.

Frame size: 20 mm wide x 50 mm deep

Information on quality, recycling and sorting

Information on quality, recycling and sorting

Recommended

Sphinx

Sphinx

By Stacey Rees

From 25 USD

Artist

Stacey Rees (AU)

Stacey Rees has held solo and group exhibitions throughout Australia since 2018. Having studied design at RMIT Melbourne her work has been profiled in many publications including Vogue Australia, The Design Files, Sight Unseen and Yellowtrace. Her work is held in collections in corporate Australia along with private collections both locally and internationally.

“I approach my paintings with a spontaneous and relaxed mindset, allowing the brush to move freely without overthinking each stroke. My process often begins by selecting a dominant, or 'hero', colour that sets the tone for the entire piece.”

See artist profile

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